Don't miss the latest book from the author of Eragon, The Fork, the Witch, and the Worm: Tales from Alagaësia! Perfect for fans of Lord of the Rings, the New York Times bestselling Inheritance...
Don't miss the latest book from the author of Eragon, The Fork, the Witch, and the Worm: Tales from Alagaësia! Perfect for fans of Lord of the Rings, the New York Times bestselling Inheritance...
Due to publisher restrictions, your digital library cannot purchase additional copies of this title. We apologize if there is a long holds list. You may want to see if other editions of this title are available from your digital library instead.
Due to publisher restrictions, your digital library cannot purchase additional copies of this title. We apologize if there is a long holds list. You may want to see if other editions of this title are available from your digital library instead.
Description-
Don't miss the latest book from the author of Eragon, The Fork, the Witch, and the Worm: Tales from Alagaësia! Perfect for fans of Lord of the Rings, the New York Times bestselling Inheritance Cycle about the dragon rider Eragon has sold over 35 million copies and is an international fantasy sensation. Oaths sworn . . . loyalties tested . . . forces collide. Following the colossal battle against the Empire's warriors on the Burning Plains, Eragon and his dragon, Saphira, have narrowly escaped with their lives. Still there is more at hand for the Rider and his dragon, as Eragon finds himself bound by a tangle of promises he may not be able to keep. First is Eragon's oath to his cousin Roran: to help rescue Roran's beloved, Katrina, from King Galbatorix's clutches. But Eragon owes his loyalty to others, too. The Varden are in desperate need of his talents and strength—as are the elves and dwarves. When unrest claims the rebels and danger strikes from every corner, Eragon must make choices— choices that take him across the Empire and beyond, choices that may lead to unimagined sacrifice. Eragon is the greatest hope to rid the land of tyranny. Can this once-simple farm boy unite the rebel forces and defeat the king?
Daybreak was fifteen minutes away when Eragon rolled up right. He snapped his fingers twice to wake Roran and then scooped up his blankets and knotted them into a tight bundle. Pushing himself off the ground, Roran did likewise with his own bedding. They looked at each other and shivered with excitement. "If I die," said Roran, "you will see to Katrina?"
"I shall."
"Tell her then that I went into battle with joy in my heart and her name upon my lips."
"I shall."
Eragon muttered a quick line in the ancient language. The drop in his strength that followed was almost imperceptible. "There. That will filter the air in front of us and protect us from the paralyz ing effects of the Ra'zac's breath."
From his bags, Eragon removed his shirt of mail and unwrapped the length of sackcloth he had stored it in. Blood from the fight on the Burning Plains still encrusted the once-shining corselet, and the combination of dried gore, sweat, and neglect had allowed blotches of rust to creep across the rings. The mail was, however, free of tears, as Eragon had repaired them before they had departed for the Empire.
Eragon donned the leather-backed shirt, wrinkling his nose at the stench of death and desperation that clung to it, then attached chased bracers to his forearms and greaves to his shins. Upon his head he placed a padded arming cap, a mail coif, and a plain steel helm. He had lost his own helm—the one he had worn in Farthen Dûr and that the dwarves had engraved with the crest of Dûrgrimst Ingeitum—along with his shield during the aerial duel between Saphira and Thorn. On his hands went mailed gauntlets.
Roran outfitted himself in a similar manner, although he augmented his armor with a wooden shield. A band of soft iron wrapped around the lip of the shield, the better to catch and hold an enemy's sword. No shield encumbered Eragon's left arm; the hawthorn staff required two hands to wield properly.
Across his back, Eragon slung the quiver given to him by Queen Islanzadí. In addition to twenty heavy oak arrows fletched with gray goose feathers, the quiver contained the bow with silver fittings that the queen had sung out of a yew tree for him. The bow was already strung and ready for use.
Saphira kneaded the soil beneath her feet. Let us be off!
Leaving their bags and supplies hanging from the branch of a juniper tree, Eragon and Roran clambered onto Saphira's back. They wasted no time saddling her; she had worn her tack through the night. The molded leather was warm, almost hot, underneath Eragon. He clutched the neck spike in front of him—to steady himself during sudden changes in direction—while Roran hooked one thick arm around Eragon's waist and brandished his hammer with the other.
A piece of shale cracked under Saphira's weight as she settled into a low crouch and, in a single giddy bound, leaped up to the rim of the gulch, where she balanced for a moment before unfolding her massive wings. The thin membranes thrummed as Saphira raised them toward the sky. Vertical, they looked like two translucent blue sails.
"Not so tight," grunted Eragon.
"Sorry," said Roran. He loosened his embrace.
Further speech became impossible as Saphira jumped again. When she reached the pinnacle, she brought her wings down with a mighty whoosh, driving the three of them even higher. With each subsequent flap, they climbed closer to the flat, narrow clouds.
As Saphira angled toward Helgrind, Eragon glanced to his left and...
About the Author-
Christopher Paolini's abiding love of fantasy and science fiction inspired him to begin writing his debut novel, Eragon, when he graduated from high school at 15. He lives in Paradise Valley, Montana.
Reviews-
The long-awaited third novel in Paolini's Inheritance Cycle will not disappoint devoted fans. Swords, sorcery, and plenty of "Chosen One" teenage angst await the listener. But wait, there's more--Gerard Doyle's performance takes the excitement and high fantasy of the story to dragon-soaring heights. He voices all the characters well but never overacts. Considering the length and breadth of the novel, the listener will be grateful. While the text does drag at points, Doyle is able to keep the listener mostly satisfied and engaged--Eragon's wallowing in fear and self-doubt might wear thin in print, without Doyle's energy to keep the emotions flowing. Doyle handles Paolini's fantasy language with ease and style, reminding the listener that some books improve when matched with a sympathetic, talented narrator. A.A. (c) AudioFile 2008, Portland, Maine
September 22, 2008 The much-anticipated third book in Paolini's Inheritance Cycle continues to rely heavily on classic fantasy tropes. The novel launches with magician and Dragon Rider Eragon, his cousin Roran and the dragon Saphira on a quest to rescue Roran's betrothed. The cousins soon split up, and Roran undergoes his own series of heroic tests, culminating in a well-choreographed and intense fight against an Urgal (a ram-human hybrid). Eragon, at the same time, encounters treacherous dwarves, undergoes even more training with the elf Oromis and gains a magical sword suitable for a Dragon Rider. The silly revelations about Eragon's background in the previous book, Eldest, are given a new spin near the end, but the change is neither unexpected nor interesting. Predictably, the book concludes with even more character deaths and another battle, but those expecting a resolution will have to wait until the next novel. The clich\xE9d journey may appeal to younger readers of genre fiction. Older teens, even those who might have first cut their teeth on Paolini's writing years ago, are less likely to be impressed. Ages 12-up.
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The long-awaited third novel in Paolini's Inheritance Cycle will not disappoint devoted fans. Swords, sorcery, and plenty of "Chosen One" teenage angst await the listener. But wait, there's more--Gerard Doyle's performance takes the excitement and high fantasy of the story to dragon-soaring heights. He voices all the characters well but never overacts. Considering the length and breadth of the novel, the listener will be grateful. While the text does drag at points, Doyle is able to keep the listener mostly satisfied and engaged--Eragon's wallowing in fear and self-doubt might wear thin in print, without Doyle's energy to keep the emotions flowing. Doyle handles Paolini's fantasy language with ease and style, reminding the listener that some books improve when matched with a sympathetic, talented narrator. A.A. (c) AudioFile 2008, Portland, Maine
